Paris, Consciousness, and What We Talk About When We Talk About Dharma

My Mister took this pic. We were on our way back from a market called Bio c Bon, and he told me to look Parisian. I'm going for fashionably bored.  

My Mister took this pic. We were on our way back from a market called Bio c Bon, and he told me to look Parisian. I'm going for fashionably bored.  

I try to be quiet in digital spaces when bad stuff goes down in our world. I don't always hold a popular opinion, and it's tough to volunteer my voice when the odds are good I might be shouted down. Plus, I often find there are folks out there saying what I'm thinking who said it better than I might have. I'm grateful for them. 

So I'm not sure what's motivating me to speak up now. Maybe it's that I just got back from Paris six months ago, and my memories are still fresh. Maybe I take it really hard that the consequences of Western imperialism are playing out in such a destructive way. Maybe I'm afraid that I, or people I know and love, will have to bear the brunt of others' fear and intolerance. Or maybe I have something unusual to say: you decide.  

The day after news broke about this round of terrorism in Paris, I spent the day in a yoga studio studying with Brenna Geehan. She said a lot, and I wrote some of it down, but one thing I've continued to consider was this:

"As yogis and teachers, it'd be nice if it was part of our duty to change the course that society is on." 

I don't hear a lot of teachers talk like this.  

When we talk about duty, often known as dharma, we talk about something often work- or career- driven, sometimes relationship-driven, and that often seems appealing: my dharma is to manifest love or joy, beauty, peace in my own life, or maybe the lives of others. We don't talk about dharma as a calling to change the direction society is hurtling in presently: my dharma is to dismantle the system of oppression that condones sexual assault on college campuses, or my dharma is to manifest safety for women of color to raise their kids without fearing they'll be annihilated by the police. Brenna's words landed on me in a meaningful way. I wonder, what would it look like for yoga teachers to change the course of families being displaced due to gentrification; to change the course of young people experiencing touch without consent; to change the course of institutionalized racism, or the school-to-prison pipeline, or reproductive justice. 

I believe yoga has a place in politics, and vice versa. We come from a legacy of people on the fringes of society. In the West, yoga doesn't look marginalized anymore; yoga does the marginalizing, or is content to sit quietly and continue nadi shodana, ignoring the suffering around us, and its role in our suffering. If we pretend joy and freedom don't come about by hard work, by spiritual boots on the literal ground, we're missing something.  

I was in Paris recently, and for all of the beauty and romance of the city, I was really put off by the tone of white European xenophobia that was palpable. I had conversation with a friend whose views on Europe and the "refugee crisis" were unsettling at best and racist at worst, and that were rooted in her fear. (I put that phrase in quotes not to belittle it, but because when I hear it, it strikes me the same way the historical phrase "The Question of the Negro" does: a phrase used by the majority culture do describe a minority or marginalized group that they, the majority, can objectify, either conceptually or politically or both. It's a sound byte or a social ill, rather than a swath of humanity that is suffering. I don't like it much.)

Also, in Paris, there were soldiers everywhere. In the tube, at intersections, in the park, square-jawed white men in fatigues carrying AK-47s. I'm not being poetic, I'm being literal.  I watched several of them chase a group of brown-skinned young men out of a park and into a roundabout teeming with oncoming traffic. I was sure someone was going to be hit, but the young men were fast. 

My city hasn't reached the point yet where armed military in the streets is something to take for granted. I hope it never happens. New Yorkers are rolling their eyes at my naïveté maybe; but it didn't make me feel any safer. I felt that all of us were a little less free. 

So what do I do? What's my job as a yogi, as an art maker and a space-holder and a citizen of the world?

Well, I think I stick to my practice: of unpeeling layers and softening my heart, of asking difficult questions and staying present with the answers that lift up. I think I expand my practice, so that I take a chance at being a voice of radical compassion in spaces that don't want it; I practice compassion for people who can't hold what I have to say, and I move deeper toward the reality that the light in my heart is the same light in the shooter's heart is the same light in the victim's heart, and no amount of lead or copper or shrapnel can put it out. 

I make noise. I march. I practice, and create space for others to practice. And I love, fiercely, fully and entirely.  

Group Work

Let me tell you about my friend Adam. Adam is a yogi and a teacher and a painter and writer, and his classes and practice are full of humor and earnestness and joy and power. Adam and I share common teachers, and we practice and teach at the same studio. It has this great option, I've mentioned before, of coming to explore your physical practice on Monday and Friday, and Adam and I are a couple of the regulars.

(A quick note about this: the practice, which the studio calls Tantricago, as an homage to our Tantric roots and our location, is akin to Mysore; anyone in the Ashtanga tradition will recognize the self-initiated, teacher-supported quality of studying and practicing this way. For those of us unfamiliar, it's different than a class: there is no "teacher" in the sense of someone telling you how to move your body through space; people start and end at different times, and come and go when they're ready; every person's practice looks different, from person to person, and from day to day. Quite like a led class, there's the potential for powerful community work to take place.)

Sometimes on Monday mornings, Adam and I are the only two practitioners. We're practice buddies, and although we move quite differently-- he lifts up effortlessly into handstand from virasana, my bind is strong and open in parsvakonasana-- each of us is buffeted and encouraged by the presence and practice of the other. I remember being absent one morning and he joked to me that he'd had the hardest time getting his energy moving, "burning up the kapha", he says. On days when I'm there alone, I find my practice is a little more scattered: I'm in my head worrying, or trying to do all the poses and breathe all the breaths, and I wind up fatigued.

For the record, Adam did not paint this. This is a picture of an abstract landscape I took in a building on campus at DePaul University, called Snarled and Yelping Sea. If you want to see any of Adam's work, look here. 

For the record, Adam did not paint this. This is a picture of an abstract landscape I took in a building on campus at DePaul University, called Snarled and Yelping Sea. If you want to see any of Adam's work, look here

I mention this not particularly as advertising, though it has been really powerful in a positive way for my practice and my teaching. I mention it because  I think, all kidding aside, that each of us is a help to the other in our practices. When the room begins to fill up with practitioners--other friends, colleagues, mentors, even strangers--the generosity, the growth, the healing blossoms. I feel energized, motivated, and supported when I find I'm not the only one practicing that morning, and when our numbers grow, that feeling grows. Each of us may continue to progress and integrate as individuals, even if we were all alone; but sharing that space with each other makes our work greater, richer, and at least for me, more supportive and even more healing.

Have you ever been in a shared healing space? Like community acupuncture, or a gong bath, or a communal adjustment space, a space where everyone is receiving and processing together? So often in our health communities, the work we do is individual: there's a health care provider, a client, and the often sterile and distancing environments around and between them. But community spaces aren't like this: they rely on the sharing of space and energy and breath between people. I think the idea is that the healing, the liberation, of all of us is interconnected--my healing is in part bound up in yours, as is yours in mine. We must work together so that we can lift one another up. 

Community building is challenging work. It asks you to be open, to be vulnerable, to be available, and to give. When you feel under-resourced, giving doesn't sound good, it sounds like a hassle, or even a threat. But I absolutely believe that building community is a vital part of learning. I had a dear friend and writing teacher who would say that story happens between people; growth is often the same way. It isn't always isolation and solitude that creates opportunity for our growth; as often, it's the times when we rub up against each other, when we learn things that challenge our world view, even when we find ourselves in conflict. In a culture where individualism is prized often at the cost of the collective, creating community feels imperative.

In yoga, safe space arises as a meeting of the consciousness of a teacher, the consciousness of a student, and the consciousness of an organization. Three supports. It’s rare. And it is needed for a subversive reason–-not to ensure we never feel uncomfortable, but to empower us to go to places of intense internal discomfort without external distraction... teaching is generating safe space. Lesson number one... was waking up to the relationship of trauma and privilege: it is the the charmed who have not been somehow harmed.
— Angela Jamison

In teaching spaces, in creative spaces, as often as I can, I place a premium on creating a grounded, open, fruitful context for practice and learning. Sometimes that learning is full of joy and laughter, and sometimes it allows us to touch (and to share) parts of ourselves that are dark and unknown and a little scary. It's not easy work. But I can promise you, I will bring the best of myself to whatever we're making together--whether we're growing as teachers, as yogis, as artists, as friends. I believe that your liberation is bound up in mine, and mine in yours.

So let's get to work.